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Home/Collection/Adolph Menzel/A New Year's Greeting
A New Year's Greeting by Adolph MenzelRealism

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Basic Information

TitleA New Year's Greeting
ArtistAdolph Menzel (1839)
Date1839
MediumPen and black ink on buff card
Dimensions8.7 × 11.7 cm (3 7/16 × 4 5/8 in.)
CollectionNational Gallery of Art, Washington, D.C. (accession no. 2009.36.1), acquired through the Ailsa Mellon Bruce Fund

Historical Context

In 1839 Menzel was only 24 years old. In his early years he earned his living by illustrating books and hand-drawing invitations and greeting cards. This work is a private New Year's gift he made for relatives and friends, full of everyday, self-deprecating humor. It stands in sharp contrast to the rigorous, grand historical paintings of his later career (such as The Flute Concert of Frederick the Great).

Artistic Appreciation

This work demonstrates Menzel's astonishing control of pen line in his early years—he could master both elaborate, curling decorative calligraphy and capture the physical characteristics of figures, costumes, and instruments with just a few swift strokes. The grotesque little figures, the headless drummers, and other exaggerated humorous images reflect the influence of nineteenth-century Berlin popular comedy and street vaudeville on his creative work. Most of Menzel's surviving drawings are sketches from life or historical studies; such complete hand-drawn greeting cards combining text and image are extremely rare in existence and constitute core material evidence for studying his early life and playful style. Although the work is tiny in scale, it displays Menzel's comprehensive talent as a master draftsman—from fine decorative calligraphy to vivid figure sketches, from the rendering of fabric texture to the ability of humorous narration, nothing is left out.

Adolph Menzel

A New Year's Greeting

Visual Description

This is a hand-drawn private New Year's greeting card from Menzel's youth. The overall composition is dominated by lavish, intricate Baroque scrollwork calligraphy, interspersed with small, humorous pen sketches full of popular urban interest. Executed in black-and-white single-line drawing, the lines are lively and relaxed, combining decorative and narrative qualities. At the center of the image is a Gothic ornamental German inscription running through the entire field, with the year 1839 highlighted in enlarged calligraphy. All text and small illustrations are linked by continuous, swirling vine scrolls; the entire card has no blank space, with text and image fully integrated. The small illustrations around the edges include: - Upper left: Within a floral frame, a comical half-length figure of a man wearing a tall top hat, with a mischievous expression; hidden in the intertwined vine lines beside him is a slender, twisted little silhouette - Upper right: Climbing among curling vines is a grotesque little figure resembling a monkey or imp, adding a playful, satirical touch - Lower left: From left to right are depicted a lady in a long dress seen from behind, two headless ceremonial drummers retaining only their military torsos and drums, and a little girl holding a bagpipe or wind instrument - Lower right: A luxurious man's fur coat with a thick fur collar and fur-ball cuffs, with the fabric folds and fur texture fully depicted The handwritten German text on the image (the greeting proper) reads: > "Ihnen Verehrter, Ihrer Lieben Frau und Schwiegermutter und Respektabeln vortrefflichem Wünscht im Lauf der 1839 die besten Amüsements der Unterzeichnete" Translation: To you, esteemed sir, your dear wife and mother-in-law, and all respected excellent friends, the undersigned wishes the best amusements throughout 1839.

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