High RenaissancePreview image — download the full-resolution TIF after purchase
Basic Information
Historical Context
Widely accepted as Leonardo's greatest portrait. Sitter is Cecilia Gallerani, young mistress of Ludovico Sforza. Painted when Cecilia was approximately seventeen, serving both as celebration of beauty and coded political statement -- the ermine symbolized purity and alluded to Ludovico's Order of the Ermine. Recent analysis revealed the portrait was originally larger.
Artistic Appreciation
Revolutionary sense of captured movement and psychological presence. Implied body twist creates dynamic life. Ermine serves as heraldic symbol, moral emblem, and compositional device. Masterful sfumato in skin, fur, and background. Established new paradigm for portraiture.
Lady with an Ermine (Dama con l'ermellino)
Visual Description
Cecilia in three-quarter profile, body slightly turned left. Right hand cradles white ermine against chest. She gazes outside the picture plane. Long loose hair over left shoulder held by thin band. Richly embroidered dark gown. Dark background silhouettes figure dramatically. Ermine rendered with meticulous attention to fur.
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