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Home/Collection/Albrecht Dürer/Saint Jerome in His Study
Saint Jerome in His Study by Albrecht DürerNorthern Renaissance

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Basic Information

TitleSaint Jerome in His Study
ArtistAlbrecht Dürer (1514)
Date1514
MediumCopper engraving
Dimensions24.8 x 18.9 cm
CollectionVarious collections (copper engraving)

Historical Context

Second Meisterstiche, presenting the contemplative life counterpoint to the Knight's active life. Saint Jerome, translator of the Bible into Latin, surrounded by learning tools — celebrating the humanist scholarly ideal. [Gemini Confirmed] Visual Description Jerome sits at a writing desk in a spacious study bathed in warm southern light through a mullioned window. Cardinal's robes, pen on a book. Objects: crucifix on windowsill, bookshelves, cushions, slippers, two dogs (one asleep, one alert), hanging gourd. Lion rests foreground. Peaceful landscape with church spire through window. Artistic Analysis Where the Knight is dense and dark, Saint Jerome is open and flooded with light — contrasting two virtuous life paths. Dürer creates dappled sunlight and atmospheric depth using only copper lines. The study is a humanist ideal portrait: books, light, cardinal's hat, crucifix — faith and learning in harmony.

Artistic Appreciation

Where the Knight is dense and dark, Saint Jerome is open and flooded with light — contrasting two virtuous life paths. Dürer creates dappled sunlight and atmospheric depth using only copper lines. The study is a humanist ideal portrait: books, light, cardinal's hat, crucifix — faith and learning in harmony.

Albrecht Dürer

Saint Jerome in His Study

Visual Description

Jerome sits at a writing desk in a spacious study bathed in warm southern light through a mullioned window. Cardinal's robes, pen on a book. Objects: crucifix on windowsill, bookshelves, cushions, slippers, two dogs (one asleep, one alert), hanging gourd. Lion rests foreground. Peaceful landscape with church spire through window. Artistic Analysis Where the Knight is dense and dark, Saint Jerome is open and flooded with light — contrasting two virtuous life paths. Dürer creates dappled sunlight and atmospheric depth using only copper lines. The study is a humanist ideal portrait: books, light, cardinal's hat, crucifix — faith and learning in harmony.

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