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Home/Collection/Albrecht Dürer/Self-Portrait with Thistle
Self-Portrait with Thistle by Albrecht DürerNorthern Renaissance

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Basic Information

TitleSelf-Portrait with Thistle
ArtistAlbrecht Dürer (1493)
Date1493
MediumOil on vellum (later transferred to canvas)
Dimensions56 x 44 cm
CollectionMusée du Louvre, Paris

Historical Context

Painted during Dürer's first Italian journey in 1493, likely as a memento for his fiancée Agnes Frey. The thistle symbolizes fidelity and marital constancy. One of Dürer's earliest surviving self-portraits, demonstrating the confident self-awareness that would define his career. [Gemini Confirmed] Visual Description A young Dürer in three-quarter profile gazes directly at the viewer with composed assurance. He wears a fashionable brown doublet with high collar and stylish cap. His right hand delicately holds a thistle stem rendered with botanical precision. The warm neutral background gives the figure sculptural presence, with soft lighting from the upper left modeling the face. Artistic Analysis This self-portrait breaks with the medieval tradition of the anonymous craftsman. At twenty-two, Dürer already displays the meticulous technique and psychological engagement of his mature style. The thistle foreshadows his later nature studies. The intimate vellum support suggests a personal token rather than public statement.

Artistic Appreciation

This self-portrait breaks with the medieval tradition of the anonymous craftsman. At twenty-two, Dürer already displays the meticulous technique and psychological engagement of his mature style. The thistle foreshadows his later nature studies. The intimate vellum support suggests a personal token rather than public statement.

Albrecht Dürer

Self-Portrait with Thistle

Visual Description

A young Dürer in three-quarter profile gazes directly at the viewer with composed assurance. He wears a fashionable brown doublet with high collar and stylish cap. His right hand delicately holds a thistle stem rendered with botanical precision. The warm neutral background gives the figure sculptural presence, with soft lighting from the upper left modeling the face. Artistic Analysis This self-portrait breaks with the medieval tradition of the anonymous craftsman. At twenty-two, Dürer already displays the meticulous technique and psychological engagement of his mature style. The thistle foreshadows his later nature studies. The intimate vellum support suggests a personal token rather than public statement.

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