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Home/Collection/Albrecht Dürer/Martyrdom of the Ten Thousand
Martyrdom of the Ten Thousand by Albrecht DürerNorthern Renaissance

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Basic Information

TitleMartyrdom of the Ten Thousand
ArtistAlbrecht Dürer (1508)
Date1508
MediumOil on panel
Dimensions99 x 87 cm
CollectionKunsthistorisches Museum, Vienna

Historical Context

Legendary martyrdom of ten thousand Christian soldiers on Mount Ararat. Painted 1508 for Frederick the Wise's Wittenberg palace. Combines persecution horror with astonishing variety of individual poses. Self-portrait in lower right. [Gemini Confirmed] Visual Description Seething mass of figures across rocky landscape. Roman soldiers torture martyrs — crucifixion, beheading, impalement, burning, dismemberment. Varied martyr responses: serene prayer, agonized cries, flight attempts. Dürer lower-right with banner and monogram 1508. Distant mountains and river. Artistic Analysis Most ambitious narrative painting. Hundreds of individually posed figures demonstrate draftsman virtuosity and understanding of emotion under duress. Northern panoramic landscape combined with Italian perspective and figural composition. Self-portrait as both signature and artistic identity.

Artistic Appreciation

Most ambitious narrative painting. Hundreds of individually posed figures demonstrate draftsman virtuosity and understanding of emotion under duress. Northern panoramic landscape combined with Italian perspective and figural composition. Self-portrait as both signature and artistic identity.

Albrecht Dürer

Martyrdom of the Ten Thousand

Visual Description

Seething mass of figures across rocky landscape. Roman soldiers torture martyrs — crucifixion, beheading, impalement, burning, dismemberment. Varied martyr responses: serene prayer, agonized cries, flight attempts. Dürer lower-right with banner and monogram 1508. Distant mountains and river. Artistic Analysis Most ambitious narrative painting. Hundreds of individually posed figures demonstrate draftsman virtuosity and understanding of emotion under duress. Northern panoramic landscape combined with Italian perspective and figural composition. Self-portrait as both signature and artistic identity.

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